Reading Time: < 1 minute A few weeks ago, I bought a pair of Earsight microphones 48V XLR plugs. After testing them with the new Zoom F3, I found that, as it was logical to expect, the stereo separation with these two omnidirectional capsules was not great, despite having…
Reading Time: 2 minutes People often debate the use of mono or stereo microphones inside a parabolic dish. This I have already mentioned here.In summary: some prefer a mono recording for a “clean” use with spectrogram analysis, others prefer to obtain a stereo recording to have a pleasant…
Reading Time: 2 minutes WARNING to the volume of audio listening because of the high signal distortion on the left CARDIOID channel! Great Telinga!A few years ago, on a rainy morning, I devoted myself to storage somerecordings made in 2009 with Edirol R9 and Telinga Twin Science Mic…
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Reading Time: 3 minutes To achieve a recording of a subject in its soundscape context (which represents the acoustic photograph of the environment we are investigating), we need to use a stereo recording, better if a wide focused parabolic stereo microphone system.By adopting the stereo configuration with the…
Reading Time: < 1 minute TETA – DIY Stereo Microphone – AOM 5024L capsules Nightingales Duet song in a marshy environment
Reading Time: 6 minutes Which type of microphone inside the parabolic dish: Stereo, Mono, or Twin Mono? As already stated by Wahlström (Sten Wahlström, Swedish Radio, Karlstad, Sweden, JAES Volume 33 Issue 6 pp. 418-429; June 1985), acquire a stereo effect using a parabolic microphone system is possible,…
Reading Time: < 1 minute This recording clearly highlights the problem of the background noise caused by the magnetic tape hiss, completely solved with the advent of digital recording. From 2’07” begins the digital stereo recording performed using an Olympus LS5 and Parabola HiSound stereo with a disc of…
Reading Time: 2 minutes Test with a song of Blackcap, for a new stereo microphone system called “TETA”, that allows reception of the stereophonic image to cover fully 360-degree soundscape, a degree that can be varied by rotating the microphone heads to obtain a classic ORTF front stereo…
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